Greatest Opera Singers

Greatest Opera Singers

Sunday, June 18, 2017

Manuel Romero Malpica (Baritone) (Puebla City, Mexico 10. 05.1874 - Mexico City, Mexico 1939)





First he studied with his father José Romero Malpica, who was the director of military bands and with his mother, actress and an opera singer. He continued his vocal training under Lion and Carnelli and on January 29, 1902 made his debut in G. Verdi’s ‘’Il Trovatore’’ at the Teatro María Guerrero of his hometown. He appeared in Mexico until 1905 and the next year went to USA. He became a member of several opera companies, included Boston Opera Company and San Carlo Opera Company. Later he appeared in Italy, France and Spain, made successful guest appearances in Central and South America. He returned to Mexico, where continued his career. In 1938 he sang the part of Rigoletto at the Palacio de Bellas Artes  in Mexico City. Shortly before his death he made his final appearance Teatro María Guerrero, where he and started his career. He was called ‘’Mexican Titta Ruffo’’. He could sing also parts of tenor, which he once done by replacing tenor Agnadi in USA. He made records for Columbia, Victor and Edison.

Chronology of some appearances

1902 Puebla Teatro María Guerrero Trovatore (Count di Luna)
1914 Mississippi Greenwood Theatre Faust (Valentine)
1914 Ashland Vining Theatre Faust (Valentine)
1938 Puebla Teatro María Guerrero Rigoletto (Rigoletto)

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Victor, 1907-07-22
No lo diré (A. Pacheco) 62277-B
Mi morenita mía (Cancion) 62348-A

Columbia, Mexico City 1908-9
Perjura (Lerdo de Tejada) C 300 5851 

Edison 4-min cylinders, Spain? 1910?
La Bruja (Chapí): Jota (w. Jiménez) 22019
El Puñao de Rosas (Chapí): Dúo (w. Herrera) 22033


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Friday, June 16, 2017

Ferdinando Avedano (Tenor/Baritone) (Cuneo, Italia 1863 - San Francisco, USA after 1915)




He studied singing at the Liceo Musicale in Torino and made his debut in 1890 at Teatro Comunale of Vicenza as Pollione in ‘’Norma’’. In 1899 he went to USA and became a famous dramatic tenor, often appearing with Gaudenzio Salassa, a fine baritone. Probably in 1906 he changed to baritone, but mostly appeared in concerts. After his retirement,  he taught singing in San Francisco and often organized concerts of his pupils. He made a few records for Edison.


Chronology of some appearances

1890 Vicenza Teatro Comunale Norma (Pollione)
1891 Genova Politeama Genovese Due Foscari (Jacopo)
1893 Palermo Politeama Norma (Pollione)
1895 Milano Teatro Alhambra Trovatore (Manrico)
1898 Milano Teatro Dal Verme Aida (Radames)
1904 San Francisco Alhambra Theater Concert
1909 San Francisco Turner Hall Concert (Sang Si puo? from ‘’Pagliacci’’)
1912 San Francisco Concert of his pupils

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Edison 4-min cylinder
Rigoletto (Verdi): Bella figlia dell'amore with Oddo, Martinez & Colombati 7502 BA 22423
























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Thursday, June 15, 2017

M. J. Amani (Baritone)



Baryton du Théâtre royal d'Anvers


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Columbia
Le Pardon de Ploermel (Meyerbeer): Romance de Hoël D14210 LX159
Mireille (Gounod): Air d'Ourrias  D14210 LX160



















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Sunday, May 21, 2017

Nelly Martyl (Soprano) (1884 - 1953)




Born Nelly Adèle Anny Martin. She studied singing at the Conservatoire National de Paris under Martini and Isnardon. In 1906 she won a price and made her debut in 1907 at the Grand Opéra in Paris as Naiade in ‘’Armide’’ of Gluck. Then she sang there the part of Rafaële in ‘’Patrie’’ by Paladilhe and also appeared in the premiere of the opera ‘’La Catalane’’ of Le Borne (24. 5. 1907). In 1909 she joined to the Opéra-Comique in Paris. Here she sang many parts and performed also in several premieres.  In 1912 she participated there in the premiere of the opera ‘’La Sorcière’’ by Camille Erlanger (as Juana). Her repertoire included Rosenn in ‘’Le Roi d'Ys’’ of E. Lalo, Micaela in ‘’Carmen’’, Sophie in ‘’Werther’’ of J. Massenet, Fatima in ‘’Le Caïd’’ of A. Thomas, Laurette in ‘’Richard Coeur-de-Lion’’ of Grétry, Cupid in ‘’Orpheus’’ of Gluck and Mimi in ‘’La Bohème’’. Beyond the French metropolis she appeared also in French provincial theaters and made guest appearances at the Opéra Monte-Carlo (among other things in 1922 in the premiere of the opera ‘’Amadis’’ of J. Massenet) and undertook a tour through Romania. Married the known painter Georges Scott Plagnolles (1873-1942).

Chronology of some appearances

1907 Paris  Grand Opéra
1909 Paris  Opéra-Comique

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Gramophone, Paris  13-7-11
Mireille (Gounod): O Magali, ma bien-aimée with E. Tirmont 034106 01992v


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Niny Roussel (Soprano)


                                                                 with Yvonne Brothier


In 1920's she appeared with success at the Paris Opera-Comique.

Chronology of some appearances

1923 Paris Opera-Comique Lakmé (Lakmé) with Miguel Villabella, Julien Lafont and Andre Goavec
1925 Paris Opera-Comique Le barbier de Séville  (Rosina) with Maurice Capitaine, M. Guenot, M. Bourbey and M. Vigneau
1925 Paris Opera-Comique Mireille (Mireille) with M. Farini, M. Vigneau and M. Guenot
1925 Paris Opera-Comique Carmen (Micaela) with M. Marcelin, M. Vigneau and Lyse Charny
1931 Paris Théâtre de la Gaîté-Lyrique Ciboulette (Ciboulette) opérette by Robert dc Flers and Francis de Croisset

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Pathé, Paris 1929?
Lakmé (Delibes): Air des clochettes 7176 N201650
Mireille (Gounod): Valse 7176 N201650


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Monday, March 27, 2017

Enzo Baccante (Baritone) (Sulmona 1887 - New York 1938)


Artist and opera singer-Baccante's opera career probably started with his debut in 1909 at Faraggiana of Novara as Zurga in Pescatori di Perle. Performances by Baccante in Italy were traced from 1909 to 1914 in smaller Italian houses. He served in the Italian Army during the First World War and in 1922 emigrated to the U.S., at that point concentrating on a career as an painter and sculptor. He subsequently occasionally appeared in concerts and on the radio in the U.S. but was mostly active and recognized as a painter. He died of heart disease.

Chronology of some appearances

1909  Novara Teatro Faraggiana Pescatori di Perle (Zurga)
1910  Vercelli Politeama Facchinetti Faust (Valentino)
1912  Cerignola Teatro Mercadante Pescatori di Perle (Zurga)
1914 Novara Teatro Coccia Orma di C. Viscardini

https://www.findagrave.com
http://www.lavoceantica.it

He made four published records

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Fonotipia, Milano 1913-01-01

Gioielli della Madonna (Wolf-Ferrari) Bacio di lama Fonotipia 110373 xM 1805


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Saturday, February 11, 2017

Madeleine Sibille (Paris, France February 25, 1895 – Paris, France July 19, 1984)




She studied under Engel in Paris and made her debut in 1919 at the Opéra-Comique in Paris. For more than twenty years she remained a member of this opera house and had her most important success in dramatic repertoire. At the Opéra-Comique she appeared in several operatic premieres: ‘’Lorenzaccio’’ of Ernest Moret (19. 5. 1920),  ‘’L'Appel de la Mer’’ by Henri Rabaud (10. 4. 1924), ‘’Le pauvre matelot’’ of Darius Milhaud (16. 12. 1927), ‘’Le Peau de Chagrin’’ by Charles Lavadé (24. 4. 1929). In 1939 still there she appeared as the first dramatic soprano. Her repertoire included Santuzza in ‘’Cavalleria Rusticana’’, Charlotte in ‘’Werther’’ of  J. Massenet, Carmen, Margared in ‘’Le Roi d'Ys’’ of E. Lalo and Tosca. Later she taught singing in Paris.

Chronology of some appearances

1919-1939 Paris Opéra-Comique

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Pathé, Paris 1926 - 1931
Tosca (Puccini): D'art et d'amour 0667 N201425-1-R
Roi d'Ys (Lalo): Air de Margared 7150 N201291-1
Cavalleria Rusticana (Mascagni): Romance de Santuzza 7150 N201290-1
Thérèse (Massenet): Jour de juin 3411 N201971-A-1
Carmen (Bizet): Habanera 7133
Marche Lorraine (Ganne) 3454 N202410
Roi d'Ys (Lalo): Margared, ô ma soeur with Vallin 7233
Roi d'Ys (Lalo): En silence, pourquoi souffrir with Vallin 7233
Contes d'Hoffmann (Offenbach): Barcarolle with Vallin 2622

Pathé, Paris 1932-07
Fille de Mme Angot (Lecocq): Jours fortunés with Ninon Vallin X90058 250286-MC1

Pathé, Paris 1932?
Bohème (Puccini): Quatuor, act 3 with Vallin, Villabella & Baugé X90056 N250274


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